Directors Julie Taymor; Countries USA; Runtime 2 hours 19 min; ; writed by Sarah Ruhl; release year 2020

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Learn more More Like This Drama 1 2 3 4 5 6 7 8 9 10 6. 8 / 10 X At a birthday party in 1968 New York, a surprise guest and a drunken game leave seven gay friends reckoning with unspoken feelings and buried truths. Director: Joe Mantello Stars: Jim Parsons, Zachary Quinto, Matt Bomer Biography | Music 6 / 10 The story of 1970s musician and activist Helen Reddy. Unjoo Moon Evan Peters, Danielle Macdonald, Tilda Cobham-Hervey Comedy Romance 6. 3 / 10 After Jane (Sally Hawkins) falls into a state of despair over her schizophrenia, she encounters new sources of love and life with surprising results. Craig Roberts David Thewlis, Billie Piper, Sally Hawkins 6. 1 / 10 Five characters make confessions under quarantine that touch on their lives during the 2020 pandemic and living in a world of deeply divided politics. Jay Roach Bette Midler, Kaitlyn Dever, Dan Levy A 17-year old Missouri teen named Veronica discovers she has gotten pregnant, a development that threatens to end her dreams of matriculating at an Ivy League college, and the career that will follow. Rachel Lee Goldenberg Haley Lu Richardson, Barbie Ferreira, Giancarlo Esposito 6. 4 / 10 A terminally ill mother arranges to bring her family together one last time before she dies. A remake of the 2014 Danish film 'Silent Heart'. Roger Michell Mia Wasikowska, Kate Winslet, Rainn Wilson 5 / 10 A freewheeling take on visionary inventor Nikola Tesla, his interactions with Thomas Edison and J. P. Morgan's daughter Anne, and his breakthroughs in transmitting electrical power and light. Michael Almereyda Ethan Hawke, Eve Hewson, Eli A. Smith Horror Mystery 5. 5 / 10 Successful author Veronica Henley finds herself trapped in a horrifying reality and must uncover the mind-bending mystery before it's too late. Directors: Gerard Bush, Christopher Renz Janelle Monáe, Eric Lange, Jena Malone Documentary 7. 8 / 10 A daughter helps her father prepare for the end of his life. Kirsten Johnson Michael Hilow, Ana Hoffman, Dick Johnson Sci-Fi 4. 6 / 10 One man's journey to the future to save a dying world. Seth Larney Kodi Smit-McPhee, Ryan Kwanten, Sana'a Shaik 5. 8 / 10 The documentary takes a look at the history, and current activism against voter suppression; barriers to voting that most people don't even know is a threat to their basic rights as citizens of the United States. Lisa Cortes, Liz Garbus Stacey Abrams, Debo Adegbile, Jayla Allen 6. 6 / 10 A woman with a seemingly ideal life battles insomnia. Dean Kapsalis Azura Skye, Bryce Pinkham, Ashley Bell Edit Storyline The story of feminist icon Gloria Steinem's itinerant childhood's influence on her life as a writer, activist and organizer for women's rights worldwide. Plot Summary Add Synopsis Motion Picture Rating ( MPAA) Rated R for some language and brief lewd images Did You Know? Trivia The 2nd collaboration between Julianne Moore and Alicia Vikander after appearing together in Seventh Son (2014). See more » Details Release Date: 30 September 2020 (USA) See more » Also Known As: The Glorias Company Credits Technical Specs See full technical specs » Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our What to Watch page.

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Synopsis Journalist, fighter, and feminist Gloria Steinem is an indelible icon known for her world-shaping activism, guidance of the revolutionary women’s movement, and writing that has impacted generations. In this nontraditional biopic, Julie Taymor crafts a complex tapestry of one of the most inspirational and legendary figures of modern history, based on Steinem’s own memoir My Life on the Road. THE GLORIAS (Julianne Moore, Alicia Vikander, Lulu Wilson, Ryan Keira Armstrong) traces Steinem’s influential journey to prominence—from her time in India as a young woman, to the founding of Ms. magazine in New York, to her role in the rise of the women’s rights movement in the 1960s, to the historic 1977 National Women’s Conference and beyond. THE GLORIAS includes a number of iconic women who made profound contributions to the women’s movement, including Dorothy Pitman Hughes (Janelle Monáe), Flo Kennedy (Lorraine Toussaint), Bella Abzug (Bette Midler), Dolores Huerta (Monica Sanchez) and Wilma Mankiller (Kimberly Guerrero).

Watch the gloria's 2020 movie online free 123movies. Watch the gloria's 2020 movie online free. Watch The Glorias 2020 Movie Online. WATCH The MOVIE ONLINE FREE MEGASHARE The Online Hindi HBO 2020 Online Free Download Movie Stream. Watch the gloria's 2020 movie online free watch. The 'Glo&rias& review #the gloriasarabic " The Glorias) English Episodes Free Watch Online. Part 1. Movies | ‘The Glorias’ Review: Hear Them Roar Various incarnations of Gloria Steinem take to the road in this reverential biopic. Video transcript transcript ‘The Glorias’ | Anatomy of a Scene Julie Taymor narrates a sequence from her film featuring Alicia Vikander and Julianne Moore. My name is Julie Taymor. I’m the director and co-writer of The Glorias. “Do you think that there is a paradox between women’s attitudes toward the fact that they don’t want to be treated as sex objects and the fact that you dress very sexily? ” So we’re about halfway through the film and we have had Alicia Vikander play Gloria from age 20 to 39 or 40. And in this film, I have four Glorias— the six-year-old, the 12-year-old, Alicia plays this age, and Julianne Moore plays 40 to 80. At this point, Michael Lowry, who is playing the interviewer, is commenting on her clothes. He alludes and flirts to the fact that she is a sex object. And this is a point where I have her, Alicia, replaced by Julianne. Julianne then takes the seat, and so she does talk to the interviewer about the fact that this black t-shirt, black pants, and boots— it’s her uniform. And after she does that, the audience starts to see what’s actually in her head. And I go into a surreal sequence now. And now I allow the other Glorias to appear. The first one to come is Alicia comes back dressed like a nun in a kind of Handmaid’s Tale-ish— Sandy Powell did the costumes— red garment habit with this incredible nun white hat that’s like The Flying Nun hat. And then the gust of wind blows it up. And underneath, you see the Bunny costume, because the Alicia Vikander actor played the part in Gloria’s life where she went undercover as a Bunny in the Playboy Club to talk about working conditions. And then the little Gloria, Ryan Kira Armstrong, comes running up, jumps on the platform and onto the lap of the interviewer, and whispers in his ear— “What’s a sex object? ” It breaks your heart in a way. Then we go to the 12, 13-year-old Gloria, played by Lulu Wilson. [MUSIC PLAYING] And once we do that, I go into full surreal mode with the tornado inspired as a true homage to The Wizard of Oz with Elliot Goldenthal’s extraordinary score. It’s the one place where he uses full orchestra, and it’s scary and absolutely helps with the scene. [MUSIC PLAYING] I went full out into shooting the women— the four Glorias in green screen, where we had to have a full wraparound green screen and a huge crane that Rodrigo Prieto, our spectacular DP, operated. And we had each one, one by one, on wires. And then the real work comes in post, because you cut the scene together, and then with fabulous visual effects houses, we put together the tornado in post. We’re back to reality. So we realize that it’s just two or three seconds of a pause, where Gloria has not found the words. “Could you rewind that, please? ” - [GARBLED SPEECH] “What were you saying? ” “I hope you forgive our masculine notion that you’re an absolutely stunning sex object. ” “Forgive. ” “And forget. ” Julie Taymor narrates a sequence from her film featuring Alicia Vikander and Julianne Moore. Credit Credit... Roadside Attractions Published Sept. 30, 2020 Updated Oct. 2, 2020 The Glorias Directed by Julie Taymor Biography, Drama, History R 2h 27m There’s so much that happens in “The Glorias, ” a strenuously well-meaning biopic based on Gloria Steinem’s 2015 memoir, “My Life on the Road”; the film, like the woman that it depicts, is constantly on the move. In her book, Steinem recalled how her father, a good-natured if hapless salesman who never kept his family rooted to one place, inculcated her with a love of travel. Encountering new places and people can unsettle our assumptions, she wrote; being on the road “specifies, ” preventing us from taking refuge in the familiar “generalities. ” Under the direction of Julie Taymor, “The Glorias” never truly engages with this idea, skating along the contours of a long life that’s so eventful and accomplished that the end result comes across like a two-plus hour, slickly produced highlight reel. We see Steinem as a dreamy child (Ryan Kiera Armstrong) and a young adolescent (Lulu Wilson), as her parents squabble about money and eventually split, leaving her mother (Enid Graham) to succumb to depression and hallucinations — her ambitions dashed, her spirit broken. Steinem’s father (Timothy Hutton) is depicted as a boisterous, shambolic presence, cooking up harebrained moneymaking schemes and giving little Gloria, demurring in front of her broccoli, a heaping scoop of ice cream for dinner. Image Credit... Dan McFadden/Roadside Attractions Alicia Vikander and Julianne Moore play the grown-up Gloria, both of them impeccably costumed and looking the part, even as their talents get hemmed in by a schematic script from Taymor and the playwright Sarah Ruhl. Steinem moves swiftly from a post-college stint in India, listening to women share their experiences, to a career as a journalist, patronized by male colleagues whose idea of a compliment is to tell her how pretty she is and that she writes “like a man. ” She rebukes one editor who warns her that writing a story about abortion would associate her with “those crazy women”: “I am one of those crazy women, ” the Vikander version of Gloria says. And so an activist is born, one who learns to find her voice among other feminists, including Dorothy Pitman Hughes (Janelle Monáe), Flo Kennedy (Lorraine Toussaint), Wilma Mankiller (Kimberly Guerrero) and Bella Abzug (Bette Midler). The intersectional core of the movement is rightfully emphasized, yet in the apparent push to make this movie as instructional and inspirational as possible, the dialogue gets saddled with some heavy-handed exposition. “The Glorias” is beautifully shot by Rodrigo Prieto, the colors wan and desaturated during Steinem’s roving childhood, becoming more luscious and vibrant as she comes into her own. The film also includes some surrealist interludes. One of them is a phantasmagoria that descends, like a blood-red curtain, in the middle of an insulting interview of Steinem by a leering man, who gets swept up in a “Wizard of Oz”-style tornado as the Glorias leer back. Another is more placid and predictable: a running image of a bus where all the Glorias sit, reassuring one another. It’s a conceit that feels sweet and sincere, but gently condescending too. The Glorias Rated R for righteous. Running time: 2 hours 19 minutes. Stream on Prime Video; buy on iTunes, Google Play and other streaming platforms.

Gloria Steinem has lived such a long and significant life that it takes four actresses to play her—including two Oscar winners—in “The Glorias. ” That device of having multiple performers portray the veteran journalist and activist, and sometimes even having them engage in conversations with each other, is the most effective element of director Julie Taymor ’s effort to encompass a whole, complicated life while also avoiding traditional biopic tropes. For the most part, she’s successful. Just when you think she’s heading into cliched territory, Taymor mixes it up, plays with structure, and subverts your expectations. Working from a script she co-wrote with Sarah Ruhl, based on Steinem’s autobiography My Life on the Road, Taymor hops around in time between Steinem’s youth in Toledo, Ohio and her worldwide travels in her 20s through the beginnings of her writing career and her key role in the women’s liberation movement of the 1960s and ‘70s. And while there’s a continuity to the performances—the hair, the voice, those signature, oversized aviator glasses—each actress imbues her role with a specific vibe and edge as Steinem evolves. Julianne Moore gets the bulk of the screen time as Steinem from her Ms. Magazine years and beyond, and radiates both indignant idealism and world-weary wisdom. But Alicia Vikander meets and exceeds her own challenges as a younger Steinem, from her time at Smith College through her travels in India and her groundbreaking, undercover Playboy Bunny article, which put her on the map in 1963. Before that, we see little Gloria ( Ryan Kiera Armstrong), an energetic girl who worshipped her struggling entrepreneur dad (a charismatic Timothy Hutton), and teenage Gloria ( Lulu Wilson), who learned how to fight for others by caring for her physically and mentally ailing mother (Enid Graham). But Steinem’s mother also had been a promising journalist—albeit under a male pseudonym, an unfortunate necessity back then—which lays the groundwork for her own path. What’s elegant and efficient in the storytelling of “The Glorias” is the way it reveals how each person and experience throughout her life shaped her ideology and sense of purpose. The Glorias’ conversations on a bus ride that serves as the film’s through-line illuminate this arc further. Sitting side by side, the wind in their center-parted hair, Vikander-as-Steinem laments to Moore-as-Steinem that she wishes she’d spoken up and fought back more when male colleagues and editors discouraged, objectified harassed her. The elder Steinem reassures her that she will eventually: “Plenty of times, lots of times, speaking your mind will get you into trouble, ” she tells her younger self with an amused smile at the memory of her own feistiness. It’s a gimmick, sure, but also an insightful depiction of the kind of talk we all wish we could have with ourselves in our teens and 20s. But at nearly 2 ½ hours, “The Glorias” does feel a touch too long toward the end. And the visual tricks Taymor employs to reflect Steinem’s inner state seem like filler, a distraction, even though they’re the kind of inventive flights of fancy the director has become known for through productions like her Broadway staging of “The Lion King” and films including “ Across the Universe ” and “ The Tempest. ” A contentious TV interview that turns into a whirling, swirling, “Wizard of Oz” homage is especially out of place. Steinem’s wit, grit and personality, her longtime work as a feminist icon and the relationships she builds with other civil rights leaders provide more than enough material for a fascinating film. It’s also enlightening, on the heels of the excellent Hulu series “ Mrs. America, ” to revisit this tumultuous era from Steinem’s perspective. But the film quickly skims past one key chance to shed more light on her personal life. A topic that crops up throughout the movie is Steinem’s choice to remain single at a time when women were expected to get married and have children. Specifically, we see men ask her why she isn’t married in a series of interviews; naturally, she bristles. It’s a personal decision. When she finally does get married at 66, it feels like an afterthought: Who is this person who dazzled her so thoroughly that she changed her mind on such a crucial stance? She mentions that his name is David and we briefly see them wed in a traditional Cherokee ceremony, but that’s it. (Steinem was married to David Bale, entrepreneur and environmental activist and the father of Christian Bale, from 2000 until his death in 2003. ) It’s a missed opportunity to help us understand her beyond her public persona. Still, “The Glorias” is consistently a visual treat, as you’d expect from Taymor. The cinematography from the great Rodrigo Prieto (who also shot Taymor’s “ Frida ”) gives each of these eras a lush and distinctive texture, and the use of stark black and white provides a striking contrast as the various Glorias chat on the bus. And the clothes from legendary costume designer Sandy Powell are, as always, to die for; far more than an elaborate and groovy game of dress-up, Steinem’s clothes tell a story all their own in signaling her development, from the slim minidresses she wore as an ambitious young journalist to what became her go-to uniform of a black, long-sleeved top, black pants and boots. The costumes are also key to the portrayal of other larger-than-life feminist figures including Bette Midler as former Congresswoman Bella Abzug, Lorraine Toussaint as lawyer Flo Kennedy and Janelle Monáe as Ms. Magazine co-founder Dorothy Pitman Hughes. They’re all engaging scene stealers in showy, entertaining roles. At the center is Steinem—still with us and still fighting at age 86. And sadly, what she has to say is just as relevant now as it was 50 years ago. Now available on Amazon Prime and other digital platforms Christy Lemire Christy Lemire is a co-host of the YouTube film review show "What the Flick?! " Christy reviewed films for The Associated Press for over 14 years. You can find Christy's writing at She's also on Twitter @christylemire and on Facebook at. Read her answers to our Movie Love Questionnaire here. The Glorias (2020) Rated R for some language and brief lewd images. 139 minutes 1 day ago 2 days ago.

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He is someone we don’t see happening. Still, Brie Larson’s resume is impressive. The actress has been playing on TV and film sets since she was 11 years old. One of those confused with Swedish player Alicia Vikander (Tomb Raider) won an Oscar in 2016. She was the first Marvel movie star with a female leader. And soon, he will play a CIA agent in a movies commissioned by Apple for his future platform. The movies he produced together.

Unknown to the general public in 2016, this “neighbor girl” won an Academy Award for best actress for her poignant appearance in the “Room”, the true story of a woman who was exiled with her child by predators. He had overtaken Cate Blanchett and Jennifer Lawrence, both of them had run out of statues, but also Charlotte Rampling and Saoirse Ronan.

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